It's a Tuesday - but not any Tuesday. It is the last Tuesday of classes for the semester. The sweet freedom of summer is but 20 days and 4 exams away.
Looking deeper into the archaeology of death this semester has been facinating. I learned about some stunning archaeological sites, and was faced with questions I'd never thought to ask before. Needless to say, my interest for the subject has increased dramatically. And, for once, I had an enjoyable group project experience. So thank you to Erin and my classmates for an enjoyable and enlightening semester.
I will leave you with this - as promised - the final copy of the group project. Problematic Revenants of the Western World sheds some light on the archaeological origins of the belief in vampires. Feel free to peruse the site, and perhaps discover some interesting facts you didn't know about the original vampire (sparkly vampires not included).
Thank you, and goodbye.
Tuesday, 2 April 2013
Thursday, 28 March 2013
Finders Keepers?
Repatriate [ree-pey-tree-eyt] verb: To bring or send back to his/its country of origin.
This has
been a term I’ve become familiarized with of the past week or so. In archaeology, the issue of repatriation
seems to be relentless and on-going, with different museums holding different
views on the subject. ![]() |
| Computer generated image of a toi moko |
Two centuries after the trading, New Zealand is still trying to repatriate the toi moko from across the world. So far 70 toi moko have been returned from 15 countries, with at least 100 others remaining in collections overseas. This website has a lot of information about the continued repatriation efforts and the history of the toi moko.
What struck me about this issue was that these toi moko were not your average identity-less ancestor. Maori were commonly extensively tattooed to reflect their genealogy, rank, and character, therefore tattoos could be used for identification. Tattoos were also preserved during the creation of a toi moko. This means that they could still possibly be traced to living ancestors, or at least to a living group of people. For this reason I think that the toi moko should definitely be repatriated. These are not faceless artifacts, but show who they were through their intricate tattoos, showing that they undoubtedly belong to the Maori, and should be respected as such.
![]() |
| Sketch of typical Maori tattooed face |
We also
looked at other cases of repatriation, and this is where my “hurray
repatriation” attitude started to waver.
Human remains hold a lot of valuable information that may not be available through written records or other grave goods. To simply send them back where they came from
without analysis would cause the loss of a lot of clues to life in the
past. However, to deny repatriation would be to disrespect the wishes of the ancestors of the individual, and possibly disrespect the religion and final wishes of the deceased. I still think skeletons should be
repatriated to show respect for the deceased and living ancestors, but I also believe that some
analysis should take place before repatriation so that valuable scientific information is not lost.
The issue
of the repatriation of grave goods gets a little fuzzier for me. I feel that most grave goods should be fully
analysed and used for display for educational purposes, as
long as they are also treated respectfully.
Because they are not human remains, I feel that they hold less of an obligation to be reburied. However, again, there could be exceptions that needed to be made, making
this issue more than just black or white. As I was flip-flopping on this issue myself, I stumbled onto Caitlin’s blog, who also seemed to be having a similar inner battle. A solution she finds is 3-D displays of artifacts to be displayed instead of the actual artifacts. (Brilliant!) You can read more on her thoughts here.
The issue may seem easy on the outside, but
the issue goes much deeper than that, with limitless twists and turns. Where do we draw the line? How far do we take
the “finders keepers” mentality? This is
on on-going battle that won’t be ending any time soon.
Works Cited:
Toi moko information. 2013.Te Papa Museum of New Zealand. http://www.tepapa.govt.nz/AboutUs/Repatriation/toimoko/Pages/default.aspx
Repatriation. 2013. Dictionary.com. http://dictionary.reference.com/browse/repatriation
Te Papa gets 20 more toi moko. 2011. The Dominion Post. http://www.stuff.co.nz/dominion-post/news/5735347/Te-Papa-to-get-20-more-toi-moko
Wednesday, 20 March 2013
Tattoos: Another Ancient Art
The other day my group held a meeting to discuss our awesome case study project. While having our meeting we may have gotten slightly off topic, and started discussing different tattoos designs, etc. Then I wondered, how long have people been fascinated with these permanent designs? Obviously this is not a recent trend. You still see pictures circulating of the sweet old dudes with a lot of tattoos. We’ve also discussed Otzi the Iceman, who also had 50 tattoos forming lines and crosses. But how far does this really go back?
![]() |
| Some of Otzi's tattoos |
I found this article that seems to have a lot of information on the history of tattoos in the archaeological record. As you need the skin to see tattoos, it’s hard to find any evidence of their existence in very ancient graves on actual bodies. Our friend Otzi has been the oldest discovery made that has tattoos (dated to over 5,200 years old). There is, however, other evidence that tattooing did take place in ancient Egypt beginning in 4000-3500 B.C. Female figurines found in tomb scenes had tattoos on their thighs, and some bronze implements were identified as tattooing tools from 1450 B.C. There are also three women mummies that have been found from 2000 B.C. with tattoos. Evidence has also been found in many other ancient cultures, such as the Inuit, ancient Greeks, Romans, and the ancient Chinese.
![]() |
| Egyptian tattooing instruments dated to c.1450 B.C. |
The tattoos found on these Egyptian mummies were mostly dotted patterns of lines and diamonds, and used a black or other dark pigment. Brighter colours and more intricate design were popular among other different ancient cultures. These tattoos have been interpreted to show status or nobility, belonging to a specific group, personalization, and other protective symbolism. The placement of tattoos seemed to vary between the cultures.
![]() |
| Tattooed hand of Charibaya mummy c.900-1350 A.D. |
Again, I find this topic interesting because this is something from ancient cultures that still exists today, which relates back to my post about fear of the dead (For those who have not read it: Vampires, Zombies, and Revenants, Oh My!). Tattoos are a trend that still exists to demonstrate personality, belonging to a group, or another personal reason. Designs and colour vary wildly, as they did in ancient cultures, but the underlying idea is still the same. I think that, although we seem to try to separate ourselves from these individuals from ancient cultures, we share more – psychologically speaking – than is always recognized. The thought process evident in archaeological sites is something that really interests me, and I find it fascinating the parallels that can be made between the past and present. It would be interesting to find what other evidence there is for overlap between trends today and those of the past. If you know of any intriguing ones, let me know!
Works Cited:
Lineberry, C. 2007. Tattoos: The Ancient and Mysterious History. Smithsonian.com. http://www.smithsonianmag.com/history-archaeology/tattoo.html?c=y&page=1#
Otzi. 2013. South Tyrol Museum of Archaeology. http://www.iceman.it/en
Friday, 15 March 2013
But who will speak for the dead?
![]() |
| Tollund Man - bog body |
Throughout my archaeology of death class we have been viewing pictures of different burial sites, which can include pictures of the remains of individuals. The pictures I find most graphic are those of mummies or bog bodies, which still have their skin mostly intact and can be visualized as a living person. This visualization is harder to achieve with just a skeleton, making it easier for me to emotionally separate. But, in the end, these were still living, breathing people. You can’t help but wonder how they would have felt about their bodies being exhumed and put on display.
Nowadays, you can consent to donate your body to science after death. An extreme example of this is the Body Worlds exhibition that travels to different museums. For this, the body has undergone plastination to preserve parts of the body to demonstrate different aspects of human physiology.
![]() |
| One of many bodies at the Body Worlds exhibition |
![]() |
| Frozen Inca mummy |
The dead cannot speak for themselves, so it is us that need to remember to show respect.
Picture sources:
Body Worlds exhibition: http://www.bodyworlds.com/en.html
Frozen Inca mummy: http://news.nationalgeographic.com/news/2007/09/photogalleries/mummy-pictures/
Tollund Man: http://en.wikipedia.org/wiki/Tollund_Man
Tuesday, 12 March 2013
The (Not So) Gay (Not So) Caveman
Have you ever heard of the gay caveman? If you happen to Google this particular search term you’ll find headings such as “5,000-year-old male skeleton ‘outed’ by the way he was buried”, etc. There is even a twitter account for the “Gay Caveman”, but whether this is related to the archaeological find or not is a little fuzzy.
The archaeological find itself was made outside Prague, where the male skeleton was buried as a female – head facing west, lying on the left, and buried with household jugs. We can assume that this was not a mistake, as funerary rites at this point in time were very important. However, I think that many Western assumptions played a large role in the labelling of this skeleton as the ‘gay caveman’.
![]() |
| Grave of the 'gay caveman' |
I think the grave goods found with the skeleton could be indicative of a third gender, or the presence of a different societal role than the average man of the period. The skeleton may not have been buried with weapons, as was the norm for males; however, it was also not buried with any jewellery, as was expected in female graves. This grave is distinct from expected burials of both genders, in a way. To immediately jump to the conclusion of homosexuality is a result of our bias towards the two gender norm. Other possibilities are just as plausible with such a small amount of evidence to rely on. I also question the number graves that they have to compare this sample to. Perhaps this is not a deviant grave, and perhaps there are more individuals with this style of grave that have not been uncovered!
Identifying a skeleton to be either male or female is also objective, as there can be manly women, or feminine men. Perhaps this skeleton was a woman after all, but this was just less evident in the remains. There are many other ideas to be considered when investigating the archaeological evidence when you remove Western biases. However, it could very well be that this man was gay. This may be another archaeological question that we can never fully answer.

And to briefly address the ‘caveman’ label - well, that’s just silly. This skeleton is from the time of pre-Bronze Age Corded Wear culture. This is far from the image that comes to mind when you say ‘caveman’. Archaeology lingo 101.
Works Cited:
McDowell, A. 2011. Gay caveman probably not gay or a caveman. National Post. http://news.nationalpost.com/2011/04/17/gay-caveman-probably-not-gay-or-a-caveman/
The oldest gay in the village: 5,000-year-old- male skeleton ‘outed’ by the way he was buried. 2011. Daily Mail. http://www.dailymail.co.uk/sciencetech/article-1374060/Gay-caveman-5-000-year-old-male-skeleton-outed-way-buried.html
Caveman image: http://blog.timesunion.com/opinion/ignorant-people-get-to-vote-too/18646/cartoon-caveman-with-a-club/
Friday, 8 March 2013
The Prehistoric Hug
One of my favourite methods of procrastination lately has been Pinterest. If you haven’t heard of this site, you may have been living under a rock. Now usually, you find things like recipes, crafts, and pictures of Ryan Gosling on this site, but today I found something a little different...
![]() |
| Google map of Italy A is Mantua, B is Verona |
A picture of the ‘Lovers of Valdaro’ immediately caught my attention, and I needed to learn more. These skeletons were uncovered in 2007, and have been dated to the Neolithic period, about 6,000 years ago. The pair was found in a necropolis at Valdaro near Mantua, Italy – ironically close to Verona, the city of Shakespeare’s Romeo and Juliet. The intertwined skeletons are male and female, and aged to 20 and 18 years old respectively. There is no evidence of a violent death, so this may just be yet another tragic love story.
This picture interested me because it is very different from the other burials we have been discussing in class. Many of the burials we have talked about have been interesting because of the grave goods, or way in which they were buried (e.g. the Viking boat burials), but none quite like this. This is also a rare find because most of the internments found from the Neolithic period are single internments, and if there are multiple individuals, they are not touching.
![]() |
| The Lovers of Valdaro |
So many questions can be raised just by looking this pair of skeletons. Did they die in this position, holding each other for warmth on a freezing night? Were they placed like this after death? Was the woman sacrificed at the man’s death? So many questions that can really never be answered. I think this is the part of archaeology that frustrates me the most. You become so engaged in learning about the lives of the people that get uncovered, but there is only so much you can infer from the burial. There are so many stories that we will know fully know, however, finding these little insights is enough to peak my interest and keep me searching for more clues.
Works cited:
Stampa, L. 2011. 6,000 Years Later, the 'Lovers of Valdaro' Need a Home. Time: World. http://www.time.com/time/world/article/0,8599,2092970,00.html
Friday, 1 March 2013
Vampires, Zombies, and Revenants, Oh My!
It’s interesting the stories that the human mind will fabricate to interpret life and death. These types of ideas have been around for some time, and I found an interesting one evident at an archaeological site. The news story I encountered while conducting research for my case study was one of “zombie” skeletons found at the Kilteasheen site in Ireland.
These two 8th-century skeletons were found side by side with large stones stuck into their mouths. This has been interpreted as a method by those burying the deceased to prevent the return of the walking dead. Interestingly, the two individuals were found to have been buried at different times. Perhaps this was a specific plot for those the living feared to be revenants? (Revenants: an animated corpse like your zombies, vampires, etc.)
The stones in the mouth are explained through the belief that the mouth was the main way through which the soul exited the body, which also allowed opportunity for a different soul to enter it. The theory of a belief in vampires was ruled out because this folktale did not emerge in Europe until the 1500’s. These skeletons were therefore interpreted to demonstrate a fear of zombies.| "Zombie" from Kilteasheen site |
These ideas of the undead have been around for many centuries, and still exist today. The fascination with zombies and vampires seems to be rising in popularity, even. Example A: The Walking Dead. I find it fascinating that these same ideas that can be seen in the archaeological record are still present today in a form more of curiosity than fear. If you do a little more searching you can find other sites that have found similar methods used to ensure the dead will stay dead. I will stop myself from going any further though, as this topic is similar to my case study, and I wouldn’t want to spoil the surprise.
Works cited:
Lorenzi, R. 2011. Did Zombies Roam Medieval Ireland? Discovery News.
http://news.discovery.com/history/archaeology/zombie-skeletons-ireland-grave-110916.htm
Works cited:
Lorenzi, R. 2011. Did Zombies Roam Medieval Ireland? Discovery News.
http://news.discovery.com/history/archaeology/zombie-skeletons-ireland-grave-110916.htm
Wednesday, 13 February 2013
Recycle Me
Everybody dies. Yes, I said it. So, if everybody dies, that means there are going to be a whole lot of bodies that need to be dealt with. The usual modes of disposal are cremation and inhumation, with cremation becoming more and more popular. But what effect does this method have on the environment?
Cremation gives the superficial impression that it is better for the environment. However, the space-saving abilitiy of cremations doesn’t balance out the air polluting consequences. Cremation uses fossil fuels to attain a heat intense enough to reduce a body to dust, and during the burning, mercury, dioxins, and dibenzofurans, among other organic pollutants, are released (Mari, 2010). Being turned into air pollution would not be my ideal after death experience.
A trend that is just starting to emerge in Canada is green burials. This is a method to reduce impact on the environment and consume fewer resources while still giving the dead a proper sending off. Biodegradable shrouds or coffins are used and placed directly in the soil as to allow microbes to start breaking down the body immediately. Native plants and flowers are planted over the grave plot, returning the body to nature entirely. No embalming fluids, no toxins released - nice and simple. Currently, there are two cemeteries is B.C. that are approved for green burial, one of which is in Victoria. You can read more about green burials at Royal Oak Burial Park here.
Section of Royal Oak Burial Park reserved for green burials
I can see this being a good option for many as environmentalism a popular issue right now. However, what put me off about this method of burial was the depersonalization of the deceased, at least at the Royal Oak Burial Park. Only communal monuments are used for those buried in the vicinity, and they encourage you not to go to the site of the grave for remembering the deceased, but rather to use designated memorial areas as to not disturb the ecosystem. I think it would be nice to be able to leave a plaque dedicated to a loved one on a bench or near a tree, or have some other method of personalization. After the trend of extravagant funerals and very personalized grave sites, we need to be eased into change. Baby steps.
Works cited:
Mari, M. 2010. Toxic emissions from crematories: A review. Environment International, 36(1), 131-137.
Wednesday, 6 February 2013
A Trip to St. Luke's
The other day I went to do a monument analysis with my group for my archaeology of death class. We decided to go off the beaten track a little bit to a small cemetery at St. Luke’s Anglican Church. The cemetery contained many graves, dating back to the late 1800’s to the present, and had a lot of interesting monuments. You can read more about St. Luke’s cemetery here.
There were a couple striking things about this cemetery that I think are worth mentioning. The cemetery itself needed to be expanded twice since its creation in 1892. Visually, this made it easier to distinguish between the older burial sites and the newer. In the older areas of the cemetery most of the burials had a generally eastward orientation. At first, I thought this may just be to create organization and maximize space, but luckily the explanation came up briefly in class. For those who need enlightening, like I did, there are different explanations for this according to religious belief. St. Luke’s was consecrated as a Christian graveyard so the orientation of the graves ties in with the Bible. Graves were faced eastward so that when judgement day came, those in the grave would view the coming of Christ (Pearson, 1991). There are also Bible verses that liken the rising of the sun to the rising of the Son. (You see what they did there?)
Another interesting thing I noticed at St. Luke’s was that there were many graves with multiple internments. The monuments had the names of married couples, married couples and their children, and so on. One in particular looked like the entire extended family was buried at one grave site. It seemed that being buried with a loved one or two was important to many people in the area. I understand the appeal to this idea – keeping the family together, having some company – sounds like a good idea.
However, there were also a couple of monuments that took this idea to the extreme. A couple of monuments had a blank spot just waiting for that second person to dieso they could be included in the burial. A couple monuments went as far as to have the name of the deceased with their dates of birth and death on the monument, aw well as the name of the person to be joining them and their birth date and a blank for the looming date of death. Personally, I would not want my name on a funerary monument in the cemetery until I was cold and dead. I think this would be disturbing and slightly depressing. The buried individual probably has an intimate connection with you if you are planning to be buried together, so every time you would visit them, you would encounter your name as well. I feel like this would remind you of the inevitability of joining that person, which can be a little depressing. But I guess some people like to be prepared?
Works Cited
Pearson, P. (1999). The Archaeology of Death and Burial. United Kingdom: Sutton Publishing Ltd.
Wednesday, 23 January 2013
6 Feet Under
For an archaeologist, grave goods can be crucial in discerning the identity of an individual before death. Things like pottery and weapons can give clues into who the person was, and what they did on an everyday basis. So, what kinds of things would a future archaeologist find digging up graves of those who died in 2013? There are a multitude of possibilities, so I can only speak of what you would find in mine if I was to keel over at this very instant.
First, I would want to be wearing a pair of jeans with a nice sweater. Nothing extravagant, but something I would wear for a special occasion. And nothing bright – I should seem at least a little sad that I have died. I would also want to be wearing my rings, as usually there isn’t a day you’d catch me without them and each has sentimental value for one reason or another. I would want what I was wearing to be a snapshot of what I could look like if I was walking down the street. If I was alive, of course.
First, I would want to be wearing a pair of jeans with a nice sweater. Nothing extravagant, but something I would wear for a special occasion. And nothing bright – I should seem at least a little sad that I have died. I would also want to be wearing my rings, as usually there isn’t a day you’d catch me without them and each has sentimental value for one reason or another. I would want what I was wearing to be a snapshot of what I could look like if I was walking down the street. If I was alive, of course.
Second is the stuff I would want to have around me. I would want the things I never go without, such as a good book or two, and my favourite albums. I'd also want a photo album of my family, friends, and dog, and I'd want my stuffed bear. Now, before you start laughing, this is no ordinary bear. I’ve had mine since I was tiny and he was bigger than me, and it would be sad to have death break that trend. Death can be a scary thing too; it never hurts to have something there to keep you company. And maybe some flowers to fend off that dead person smell for a little while. I think these items would be the similiar to those that someone else would choose for me. Perhaps they would make a few minor changes to reflect my relationship with the person – such as a particular necklace from my mom, or a bottle of tequila from my university friends – but nothing too substantial.
| http://weheartit.com/tag/little%20beat |
With my grave goods I would want to show what life was like for a happy university kid. I would want to get across the message that I was loved by some pretty amazing people, that I was a bit of a bookworm, and that I had excellent taste in music. I would also want to give clues to some of the memories I cherished from throughout my life, and show how I fit into the world of 2013.
Friday, 11 January 2013
A Brief Introduction
Anthropology was not always an interest of mine - I didn't really know what the term meant until high school. That's when I had the experience of taking part in a Comparative Civilizations class, and became immediately captivated. This class was made up mostly of descriptions of ancient civilizations and was animated by the antics of my teacher. It was not a rare occurance for Mr. Holmes to jump onto a desk or two while fighting invisible enemies to act out the epic of Gilgamesh. I owe my first fascination with the subject to this class and this teacher. Since then, I have had an interest in learning more about different cultures, both across the world and through time.
I am in my fourth year at UVic as a biopsychology major and minoring in anthropology. No, I did not choose to major in this anthropology, but it was a very close competition. I have mostly been focusing on cultural anthropology through my minor, however I have always been drawn to archaeology.
Archaeology of Death is a class I am excited to take because I am interested in learning how death was dealt with in different cultures, and how this could be inferred through archaeology. The information gained from burial sites and grave goods is the best way to dig into this topic in past cultures that no longer exist.
And bones are pretty neat too.
-Emily
I am in my fourth year at UVic as a biopsychology major and minoring in anthropology. No, I did not choose to major in this anthropology, but it was a very close competition. I have mostly been focusing on cultural anthropology through my minor, however I have always been drawn to archaeology.
Archaeology of Death is a class I am excited to take because I am interested in learning how death was dealt with in different cultures, and how this could be inferred through archaeology. The information gained from burial sites and grave goods is the best way to dig into this topic in past cultures that no longer exist.
And bones are pretty neat too.
-Emily
Subscribe to:
Comments (Atom)











